Cover Image Property of Craft Bibliography Project
January 15, 1932:Vol. #1, Issue #7
Page Count: 32
Notes: *

TABLE OF CONTENTS

  • FEATURES
    • FICTION:
      "A Woman Without a Heart", Chapter 13-14
            by Mrs. A.J. Phillips
    • ARTICLE:
      The Universal Fascination of Tatting
            by Norma Benporath
    • ARTICLE:
      A Visit to SEMCO's
            by Not Given
    • CROCHET:
      Four Useful Edgings
            from SEMCO
      Filet Beautiful Afternoon Tea Cloth(Roses and Leaves motif)
            by Mrs. A. Roberts
    • EMBROIDERY:
      Dainty Violet Design for Underclothing
      Stitches- Rope stitch, wheat stitch, laid work, close herringboning
    • KNITTING:
      Striped Women's Bathing Costume
            from Patons and Baldwins
      Lightweight Striped Women's Jumper
            from Patons and Baldwins
      Bathing Suit w/ Sailboat Motif(4yr-old)
            from Patons and Baldwins
      Baby Dress and Bloomers
      Baby Modestes and Bootees
            from Lady Betty wool
      Our Juvenile Section- How to Make a Pretty Bookmarker
            from SEMCO
    • MIXED MEDIA:
      Feather-trimmed Shoe Trees
            by Not Given
    • RAFIA:
      A Woven Bag
            by Not Given
    • SEWING:
      For the Traveller- Handkerchief Sachet, Sponge Bag, Nightdress Case
      Broderie Anglaise for Evening Bags
    • TATTING:
      Lovely Oval D'oyley in Tatting(linen center)
            by Norma Benporath
  • DEPARTMENTS
    • Ads

Magazine Title: Australian Needlework
Editor(s): Not Given
Publication Frequency: Monthly
Began Publication: July 1931
Ended Publication: Unknown*
Published by: Mitchell & Casey Pty., Ltd., Melbourne, Australia
Average Page Count: 32
Magazine Dimensions(ht. x w.): 11" x 8 1/2"
ISSN: None

NOTE: All cover images this page were scanned from my private collection.

SUMMARY: I only have one sample issue of this magazine - so happy I got it, because it has an article and tatting pattern by Norma Benporath. Australian Needlework got many of its patterns from the thread companies, which notoriously withheld designer's names to keep them from gaining popularity and selling their patterns directly themselves to the magazines. It was a shameful practice and every single one of them did it at least to some extent. Norma Benporath avoided that enforced anonymity by coming to the attention of the editor of The Home Beautiful at a party one of Norma's tablecloths was on display at. She was approached directly, and was already popular before being approached by SEMCO to design for them.



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Anyone with more information about this publication, or has issues to donate or sell, can contact me through My Contact Page.



"AUSTRALIAN NEEDLEWORK" CATALOG OF ISSUES

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